One of the World's Finest Audio Compressors, Bar None.

Hand-built to its original 1970’s specifications, the Neve 33609JD Stereo Compressor offers comprehensive limiting and compression facilities for music recording, mastering, post production and broadcast applications. The combination of hand-wired transformers and gain reduction circuitry produces a sound quality which is often duplicated, yet seldom achieved by any other compressor / limiter. Coupled with the unit’s unparalleled ease of use, this inimitable sound quality has made the 33609 a worldwide studio standard for three decades.

The hallmark 33609 compression sound is very smooth, and extreme settings may be used with the compression or limiting remaining relatively transparent. After several versions of this classic Neve compressor over the years, today's 33609JD provides the best of both worlds: original Neve 33609 sound, with enhanced internal and external I/O switching compared to the original model. The 33609JD also utilises a discrete output stage like the original model, for a slightly warmer sound that is preferred by many professionals over previous iterations. Multiple units can be easily linked for multi-channel operation.

The Mc2 is a professional studio-quality stereo compressor in a compact half-rack format. Simple to use yet extremely powerful, the Mc2 will bring out the best in any line-level stereo material and give the gloss of a professional studio to all your performances. It can be used for both recording/mastering, and live work

 

A completely retooled compressor section is what sets the UBK Fatso apart from a stock ELI Fatso. Designed to give the operator the most unflinchingly musical compression regardless of the sound being processed or the amount of compression being applied, it will never pump of fold. The UBK Fatso makes easy work of the most difficult an mysterious process in sound engineering: compression.

Vintage limiting, smooth opto levelling, transparent reduction, aggressive modern squeeze... whatever your vision, the UBK Fatso not only makes it possible, it makes it easy. 7 unique compressors - 4 "name" preset plus 3 "hidden gem", produce a remarkable range of flavor, attitude, and grab, all rolled into a one-knob interface that makes it impossible to screw up.

Your job: choose the style of squeeze you desire, dial up 'more' or 'less' and get on with your life.

The MoFET76 is designed after the legendary 1176 Revision F, with slight modifications including switchable output transformers and input metering. These compressors sound amazing on any source including vocals, bass, snare and overheads. Great analog sound! This is a New custom built unit completely hand soldered and hand wired for greater quality control. These units come complete, calibrated and tested

 

MoSA (Stereo Adapter) USD 70

Required a double '500' series rack space

The new SLATE PRO AUDIO DRAGON is unlike any dynamic audio processor you've heard before. Simply put, the DRAGON was created to be the most versatile compressor, limiter, and sound shaping tool that the pro audio industry has ever seen.

"One-knob" de-esser, auto threshold, 2 channels

Compressor/limiter/noise gate, de-compressor, 2 channels

Stereo compressor, tube saturation, PTC circuity

The simplicity of the dual-channel standalone DynaMaxx version also characterizes the new RackPack module: with just two controls, Compression and Make Up Gain, the DynaMaxx surprises with its disarmingly simple user interface. Our developer Vincenzo Triolo got a hard job to transfer the original circuits to the extremely compact module format, but he succeeded extremely well – controversies about the better version are still going on here.

Required RackPack Frame

Back in the 1990's, we developed an alternative way to process signals in order to reduce sibilance based on phase cancellation. Unlike the traditional compression methods, this processing is much more unobtrusive and simplifies control to one single parameter. The SPL De-Esser quickly became a standard reference among recording studios, broadcast stations and live sound engineers.
The new Dual-Band De-Esser module expands on this concept by making use of two frequency bands. Two de-esser stages increase the effectiveness of the processing without introducing any audible artifacts. At the same time, processing can be much more targeted, since the low and high bands can be used together or independently. Furthermore, input signals are automatically adjusted so the processing is uniform, regardless of the distance between source and microphone, and the Male/Female button allow it to perfectly adapt to male or female voices.

Required RackPack Frame

New feature for the RackPack module: Output level control.

Required RackPack Frame

Envelope modeling, 2 channels

Envelope modeling, 4 channels

 

The Transpressor surpasses the limitations of common compressors by combining the two most important dynamic processing techniques: level-independent compression and treatment of transients. This allows to emphasize dynamic structures in spite of simultaneous compression.

Required X-Rack / Mynx

The BC1mk2 provides smooth buss compression associated with one of the most famous buss compressors from the mid 80's. Mixing engineers call it the magic "glue" when transparent compression strengthens mixes without compromising clarity. The BC1mk2 provides just that kind of compression bringing cohesion and punch; equally useful for drum buss and instrument compression.
The built-in blend control makes it easy to apply parallel compression by adjusting the mix of dry and compressed signal. A mute-switch is provided for muting the dry signal making it possible to adjust the compression without changing the blend control.
A switchable side-chain filter can be applied at 150Hz which makes the BC1mk2 less responsive to low frequency energy. The external side-chain input makes it possible to have the BC1mk2 pump to an external source.
Smooth and transparent compression will never go out of fashion and the BC1mk2 has already become a best-seller. The BC1mk2 will add the magic "glue" and make your mixes sound punchy and coherent.

Dual Channel Mono / Stereo Compressor

Modeled on a rare vintage Fairchild 670 from the personal collection of Grammy® award-winning producer/engineer Jack Joseph Puig, the PuigChild hardware compressor faithfully recreates the unmistakable sound of the original. Featuring dual mono, linked, and lateral vertical stereo modes, 16/24-bit digital I/O, and outstanding AD/DA converters, housed in a rugged 2U rack unit, the PuigChild is a world-class compressor — in the studio or on the road.